Opera Poster

Mi sono Innamorato di te

unitedcolorsofNaples
Size 50x70 cm
50x70 cmfrom 130,00 €
100x70 cmfrom 199,00 €
35x50 cmfrom 99,00 €
a4 (21x30cm)from 60,00 €
Color Yellow
Yellow
Frame No Frame
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Black+ 49,00 €
White+ 49,00 €
Wood+ 49,00 €
130,00
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Descrizione opera

"Mi sono innamorato di te e adesso non so neppur io cosa fare."

Mi sono Innamorato di te, Luigi Tenco.


And instead, I did the exact opposite of you.
The opposite, I'd say.
I get up — or rather, I wake up, because sleeping has become an essential condition just to keep going a bit longer — I grab my phone, which sooner or later brings me some "hey, good morning" from you with some stupid song you then play 35 times in 2 hours, or something sweet that carries the day forward until "the next time you ran off on me".
Or I lose hours just watching you, lost, looking at you smiling, and I ask you why you're laughing and you're not really laughing, just smiling, and then in the end you laugh anyway.
You're so beautiful when you smile.
Otherwise we go out to do something, staying at "arm's length", but we always end up laughing, completely incapable of buying anything, like two donkeys wandering through the noise, incapable of hiding anything, at all.
Or I hang the socks out one by one, still matched by colour, on that ridiculous drying rack, in that tiny flat that, with you in it, almost feels like something out of Paris — except it doesn't burn for me.
Or I cook for you, and I won't tell you the secrets of my cooking, ridiculous too, because you'd probably cook them for someone else anyway.
Or you sit on the doorstep and you talk, talk, talk, talk, and I talk, talk, talk, talk. Because, you see, I really loved talking to you, truly, even when you'd cut me off with a dose of reality, saying this thing was some kind of systemic error or something like that.
But then you'd fill me with kisses.
So here's the thing: I don't want to lose you, and if it really has to happen, I still have to answer for all those mistakes first, those failures, all my pain, all the versions of myself that came before and got me here, right to this moment, in front of you, looking at me, and smiling.

Every Opera Poster is made by hand, just for you. There's no warehouse of finished pieces — each one is created only when you order it.

Every Opera Poster is a one-of-a-kind piece of art, signed, dated and embossed. With a certificate of authenticity signed by the artist.

Every Opera Poster is made in Naples, with love — plenty of it (assaje, as we say around here).

Available with a frame.

Specifiche tecniche
TecnicaTipografia + Calcografia
CartaFedrigoni Acquerello White 390gr
EdizioneLimitata e numerata
FirmaAutografa
PunzonaturaSigillo UCN in rilievo
OrigineMade in Napoli
Consegna e imballaggio

Free shipping in Italy and across Europe. Ships within 7–10 working days of your order (up to 13 with a frame or in 70x100 size), express delivery in 24/48 hours.

Each Opera Poster is shipped in a tracked rigid tube with double internal protection. For framed sizes: double-layer packaging with reinforced corners.

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€130,00
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MI SONO
INNAMORATO DI TE
E ADESSO NON SO
NEPPUR IO COSA FARE.

Louis I have //
Mi sono Innamorato di te – United Colors of Naples
Specifiche
Tecnica Manuale
Carta Fedrigoni Acquerello White 390 gr
Colori tinte piatte in mescla
Edizione Opera unica non seriale
Firma Autografa
Origine Made in Napoli
Come nasce
01
Progettazione tipografica
Il testo viene composto e bilanciato a mano, cercando il ritmo giusto tra vuoti e pieni.
02
Creata a Mano
Inchiostri tipografici su carta Fedrigoni 390gr. Ogni passata è unica: la pressione lascia il segno anche sul retro.
03
Firma e punzonatura
Ogni opera viene firmata dall'artista e punzonata con il sigillo UCN in rilievo a secco.
Vale la pena sapere

Non siamo una stamperia. Siamo un laboratorio artigianale a Napoli dove ogni opera nasce dal confronto con la canzone, con la storia dell'artista, con il significato di quelle parole per chi le ha vissute.

Ogni pezzo che esce dal nostro laboratorio è unico. Non per marketing, ma per natura: la tipografia non è un processo riproducibile alla perfezione. Il segno rimane.

— Il Laboratorio UCN, Spaccanapoli