Opera Poster

En e Xanax, Samuele Bersani (V2)

unitedcolorsofNaples
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Descrizione opera

"E su di me, puoi contare per una rivoluzione"

En e Xanax v.2, Samuele Bersani.


When I buy cigarettes — so, every day — I usually spend the change on sweets.
Partly because I've got two kids who go "Surprise!" the moment I walk in, and partly because I love Liquorone liquorice.
The same kind my grandfather used to buy us at Signora Piccirillo's shop, Lago area, Santa Maria di Castellabate, during those endless summers with 40 cousins, 15 aunts and uncles, and another 184 relatives and in-laws.
But that's a different story.
My tobacconist — or rather, my female tobacconist, I love the feminine version of trade names, like the perfumer, the florist, the tobacconist, the ice-cream maker — is on Via Tribunali, and I've been going there for about 15, 16 years now.
She tells me it's X euros and 70 cents, and I'm like, okay, I'll take 3 Liquorones.
Now, someone my age would just shove the sweets in their pocket and walk out.
Not me.
I take the sweets, hold them out clearly where the tobacconist can see them, so she can check there really are three.
She, puzzled, says okay, have a good day.
Until yesterday evening.
She says, "sorry, but why do you make me count them, it's not like I doubt you or don't trust you, they're three sweets."
Well, dear tobacconist.
We were kids, me and my little brother.
We were on Via Pisciscelli, Vomero-Arenella area, with our mother.
And our mother, back then, smoked MS Morbide.
So, tobacconist's shop.
While our mother finishes her purchase, me and my little brother steal ourselves one sweet each — commercial value, 20 lire.
Mou toffees, the yellow ones with the red MILK writing.
Two sweets.
Obviously, we leave the tobacconist's, and after a few dozen metres, me and my little brother show off, display our trophy.
My mother, in a tone straight out of a German Marshal stationed in Naples in September '43, says: Where did you get those?
There it is.
We went back, under a barrage of maternal threats, mortified, crushed, desolate, prostrate and humiliated. We returned the stolen goods, the Mou sweets, to the tobacconist on Via Pisciscelli.
So there you go, dear tobacconist — that's why I always make you count the three sweets I've been buying from you every single day for about 16 years now.


Every Opera Poster is made by hand, just for you. There's no warehouse of finished pieces — each one is created only when you order it.

Every Opera Poster is a one-of-a-kind piece of art, signed, dated and embossed. With a certificate of authenticity signed by the artist.

Every Opera Poster is made in Naples, with love — plenty of it (assaje, as we say around here).

Available with a frame.

Specifiche tecniche
TecnicaTipografia + Calcografia
CartaFedrigoni Acquerello White 390gr
EdizioneLimitata e numerata
FirmaAutografa
PunzonaturaSigillo UCN in rilievo
OrigineMade in Napoli
Consegna e imballaggio

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E SU DI ME
PUOI CONTARE
PER UNA RIVOLUZIONE

Samuel Bersani // Energetic and Motivational
En e Xanax, Samuele Bersani (V2) – United Colors of Naples – foto 1
Specifiche
Tecnica Manuale
Carta Fedrigoni Acquerello White 390 gr
Colori tinte piatte in mescla
Edizione Opera unica non seriale
Firma Autografa
Origine Made in Napoli
Come nasce
01
Progettazione tipografica
Il testo viene composto e bilanciato a mano, cercando il ritmo giusto tra vuoti e pieni.
02
Creata a Mano
Inchiostri tipografici su carta Fedrigoni 390gr. Ogni passata è unica: la pressione lascia il segno anche sul retro.
03
Firma e punzonatura
Ogni opera viene firmata dall'artista e punzonata con il sigillo UCN in rilievo a secco.
Vale la pena sapere

Non siamo una stamperia. Siamo un laboratorio artigianale a Napoli dove ogni opera nasce dal confronto con la canzone, con la storia dell'artista, con il significato di quelle parole per chi le ha vissute.

Ogni pezzo che esce dal nostro laboratorio è unico. Non per marketing, ma per natura: la tipografia non è un processo riproducibile alla perfezione. Il segno rimane.

— Il Laboratorio UCN, Spaccanapoli